As I watched the scenery from the back of the cattle truck, bouncing into the others in the truck with me as the road became rough, I thought how familiar yet strange the landscape looked. In one moment it reminded me of California, with rolling hills covered with dry, golden grass, and small groves of dusty trees providing some shade to groups of cattle. The trees, though, were cashew and mango instead of oak and eucalyptus, and instead of brown and white Herefords, many of the cattle had the distinctive neck hump of a crossbred brahmin. In another instant, the truck careened down a steep pitch and into a small canyon shaded by tall trees festooned with hanging vines trailing in the stony brook, and I saw the cool streambed of the Massachusetts mountains. Up the hill and around the corner we were presented with a savanna that would not have looked out of place in an African postcard. Imperialism teaches us that otherness is all, and the differences between landscapes mirror the differences between people, but all I could see were the similarities.
On Wednesday afternoon the cattle truck took us northwest, parallel to the Rio Lempa, on a swooping rollercoaster of dusty roads and sweeping views of the volcanic peaks and the wide river. The first time we saw the road disappear into a tributary, we all held our breaths in trepidation, but by the third or fourth water crossing, we were prepared, and even shouted a little in excitement. This time the truck stopped in the shallow water and we got out to walk up a short path to a small, level bluff overlooking the shallow river. We unloaded the two trucks and set up the chairs and the table for all of the food Morena had packed for us–rice, beans, tortillas, and peanut butter sandwiches.
As we ate I felt overcome by the peacefulness of the area. The trees provided enough shade and protection from the tropical sun, and a slight breeze rippled the shadows. The gurgling and chuckling of the water over the stones served as a counterpoint to the splash and slap of a family just upstream at a bend in the river washing their clothes and smacking the wet cloth on rocks. A couple of little boys were hanging from a branch that stuck out over the water, and they hooted and shouted in little Tarzan voices as they hurled themselves into the river.
After lunch, the women and men who had joined us in the little town near Puente San Marcos began to speak. Their calm, quiet voices and the pastoral setting belied the import of their stories. In the 1980s, the Salvadoran government began a Tierra Arrasada, or scorched earth policy, where villages were destroyed in order to get rid of any potential guerillas or guerilla hiding places. Using planes, helicopters, and artillery thoughtfully provided by the U.S. government, the Salvador military blew up the tiny shacks that housed the people and then set out to gun down any refugees running from the destruction.
One of the women speaking told how she came down the steep hillside behind me and to my left, slipping and tumbling on the steep rocks. A sick old man walked beside her, and another woman carried her baby in her arms. To my right and in front of me, the military had set up and sent out a withering cross fire, a murderous barrage of bullets. One woman hid her baby in a crevice in the rocks, hoping it would survive the onslaught. The people wandered for days without food, shelter, or water. The military had poisoned the ground and the river to make it impossible for the people to survive.
One old man, sitting quietly, wearing a red western shirt and white straw cowboy hat spoke even more quietly, his face stony and expressionless. He, too, had been caught in the strife. He remembered C-130 Hercules aircraft flying over. He explained how warplanes strafed the small villages, blowing apart their little houses, and later, how the soldiers came into the villages to knock down what was left of the walls so no one could return safely. He then told us that his wife and seven children–his entire family–had disappeared, most likely slaughtered, during the war.
Later, we piled back in the truck and backtracked for a while before taking a road that bore northward. We stopped at the rugged bluff of La Quesera and climbed out again. Between October 20 and 24, 1981, the Salvadoran military massacred between 600 and 800 Salvadoran citizens–civilians, women, children–at this hillside, this Central American Golgotha.
I walked around the site. At the southern end, the small memorial, built and paid for by the people and a few donations from outside the country. The government, led by the same political party that had been in power during the massacre, wanted to forget. The memorial roof is in the shape of a dove holding an olive branch in its beak. Its outstretched wings guard a curved wall and a mural depicting the hopes and fears of the capmesinos. Archbishop Romero’s likeness stares out of the center of the mural. In front a low concrete slab rises about a foot. On its top are two steel plates, padlocked. These are the doors that lead to the crypt where the remains of 43 recovered and identified bodies are kept. Although about 700 died, only this handful of bodies has been recovered, for a variety of reasons. First, the hogs in the area attacked the bodies, scattering bones down the hillside. Then the black vultures moved in, followed by the rainy season’s mudslides and wind. Earthquakes and time have contributed their part to effacing the memory. But the biggest eraser remains the intransigent government, which still claims that a mere 43 bodies is not enough evidence to support any claims of a massacre and thus further investigation.
I leave the group and walk north. The ground of the massacre is a level hilltop, roughly oval in shape, and reminds me of the deck of some large ship. The hillside slopes away on all sides, and I can see other hills rising in the distance. Every direction I turn I see only hills leading up to craggy volcanic mountains, all covered with lush tropical green. No human habitation anywhere, in an area that once saw dozens of small villages. The survivors are, not surprisingly, reluctant to come back. I walk to the north end, what I think of as the stern of the ship. A rickety log and corrugated steel structure stands forlornly. It might be a structure used by the infrequent anthropological teams that come to dig for more victims. A piece of the steel roof hangs by a nail and waves in the breeze. The wind blowing through the building creates a low moaning sound, a desolate whistle.
I walk to the port side of the hilltop. The brilliant sun is blinded by huge clouds, and shadows and golden rays of sunshine alternate. The wind is the only sound, and I feel an otherworldliness here at this site of slaughter. My hair blows back in the increasing wind, and I feel a chill despite the tropical heat. All around I see cloud shadows racing over the hillsides like the shadows of the never forgotten gunships that rained fire and death out of the sky. The dead have no voice but the low, incessant moaning of the wind.
I go back to the group. We shake hands, thank the speakers for being so brave to tell their stories. We pose for pictures. We eat watermelon and pineapple. We climb back in the cattle truck and ride back to Tierra Blanca. We are numb, but later that night, writing in my journal, the pages keep blurring unaccountably, the same way my computer screen does now.
What a beautiful, moving post. My screen blurred too.
Thanks for sharing your experience with us.
It must have been a very enriching time for you.
What horror, and so powerfully written! Thanks for sharing (and making my computer screen blur, too).
[…] yet strange the landscape looked.? In one moment it reminded me of California, with rolling hillshttps://hobgoblin.wordpress.com/2008/03/15/landscape-of-conflict/Rio Lempa Mural On Piney Branch Road Silver Spring, MD on Flickr …Rio lempa Mural On Piney Branch […]